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Syntheyes 2011 WIN64 & CMIVFX Complete Syntheyes Training
Syntheyes 2011 WIN64 & CMIVFX Complete Syntheyes Training

Syntheyes 2011 WIN64 & CMIVFX Complete Syntheyes Training | 1.28 GB

SynthEyes 2011 offers a complete high end feature set, including tracking, set reconstruction, stabilization, and motion capture. It handles camera tracking, object tracking, object tracking from reference meshes, camera+object tracking, multiple shot tracking, tripod (nodal, 2.5 D) tracking, mixed tripod and translating shots, stereoscopic shots, nodal stereoscopic shots, zooms, lens distortion, light solving. It can handle shots of any resolution DV, HD, film, IMAX, with 8 bit, 16 bit, or 32 bit float data, and can be used on shots with thousands of frames. A nifty feature simplifies and speeds tracking for green screen shots. The image preprocessor can help remove grain, compression artifacts, off centering, or varying lighting; improve low contrast shots; or shoe horn shots into available RAM for quicker handling.
Textures can be extracted for a mesh from the image sequence, producing higher resolution and lower noise than any individual image.
SynthEyes offers complete control over the tracking process for challenging shots, including an efficient workflow for supervised trackers, combined automated/supervised tracking, offset tracking, incremental solving, a hard and soft path locking system, distance constraints for low perspective shots, and cross camera constraints for stereo. You can set up a coordinate system with tracker constraints, camera constraints, by aligning to a mesh, a line based single frame alignment system, or manually.


SynthEyes exports to about 25 different 2 D and 3 D programs. The Sizzle scripting language lets you customize the standard exports, or add your own imports, exports, or tools. You can customize the color scheme, keyboard mapping, and viewport configurations.

TRANINING

For starters well use a simple shot and do the most obvious thing when you first open Syntheyes: A completely automatic track. In a matter of literally seconds youll have a pretty usable result, that will quickly improve by using some simple clean up techniques. Orient the scene in 3d space and insert 3D objects into your scene to test if everything works, export your camera solution and voila – you have a decent matchmove in just a few minutes.

Solving a shaky handheld shot
Life not often makes it easy for you, and so youll often be confronted with things like motion blur, camera shake and lens distortion. So for the more difficult shots well have to bring the big guns in. Automatic tracker cleanup, manual control over each tracker curve in the graphs editor and fine tune trackers can really improve your camera solution. To solve fast and shaky hand held footage with lots of motion blur its best to use supervised tracking to give you the most control over each tracker. If youre footage was shot with a lens that has barrel distortion then you have another problem that can make things more complicated. Tracks will have lots of errors, and 3D objects will not fit to the footage not matter what. Luckily Syntheyes has a clever way to get rid of lens distortion. Or even to re distort the CGI, if the director wants to work with the original footage later in compositing.

Modeling with Syntheyes
With the tracking features and resulting 3d points you can not only define the camera, but also re model the scene, just use the points to define a mesh! And if there are not enough features for you to re create the scene, insert zero weighted trackers (ZWT) that dont affect the camera solution but will position themselves in the correct place in your 3d environment. And if you need more organic shapes to be rebuilt, add thousands of 3d points all at once to build your mesh. You can even texture that mesh by using camera projection right within Syntheyes, to test if camera mapping will work later in your 3d or compositing application.

Solving Tripod shots – with 3d environment?
The common problem with tripod shots is that it is impossible to get any usable 3d information out of just a camera pan. The solution of the camera movement might be good, still it can be hard to position it in a reasonable and exact way in 3d space. That problem can quickly be solved with Syntheyes lens tools. Use any straight perspective lines in one frame of your tripod shot to setup a coordinate system that lets you position objects in your scene more easily – that makes life easier for the 3d artist! You can even use that method on still images.

A moving camera – and a moving object!
Although primarily a camera tracker, Syntheyes does a really good job at object tracking. The last chapter of this tutorial shows you how to track camera and objects in one scene altogether, how to setup their coordinate systems and how to orient them in 3d space. You can really do amazing things with this great software. Make sure you have some time and your favorite compositing and 3d application at hand! Youll want to try out all these goodies immediately!
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